![]() This circuit prevents loading down passive guitar pickups to preserve the natural tone of the instrument. The Reamp Station at $479 is based on the original JCR re-amp design it is both an active DI and re-amp system all in one unit and includes a unity-gain Class-A buffer switch and circuit on the Thru output. Lap top users would solo the track they want to re-amp and record the headphone jack through the Reamp HP connected to their guitar amp and onto another mono track in their DAW. This is a totally passive and transformer-isolated system that eliminates ground loops, and there are both a 1/4-inch TRS and 3.5-mm input jacks and a variable output control to optimize signal levels. You could leave it connected all the time and be ready to go. At $99 MSRP, Reamp HP is basic: it accepts the signal from the headphone output jack on your audio interface, so you're able to connect easily without any big rewiring hassles. I now use it everyday and I wish I hadn't Put off buying it for so long.Radial has added two new re-amping units called: the Reamp Station (pictured) and the Reamp HP. ![]() This makes for a much cleaner signal and when testing in real time and doing an a/b test of the guitar coming the amp directly versus it going through the computer and the re amp box I found it arguably similar. I think this is mainly due to not needing to attenuate the output level from my I/o from within the software. It sounds much better than my old method of doing the same job. I wanted the most basic model so that the signal path is simplest and I have plenty of di boxes etc. I've marked it as "okay" for features as it doesn't really have much to play with but that's kind of the point. It's tough, lightweight and I can't ever seeing it getting damaged. ![]() The radial firstly struck me as being really well build. It became obvious that a dedicated reamp box was going to save me a lot of hassle and I could actually have it permanently wired into my pro tools rig rather than building something that just did the job out of attenuators and do boxes etc. However, in the last 18 months I've found myself doing more mixing of stuff that other people recorded and when the cab signals don't cut it in the mix If be reaching for that old faithful. It was "alright" and not something I used to do a lot of. Re-amping was something I'd always "got round" before by using various passive devices in line to achieve the same ultimate goal. Suitable for "re-amping" all instruments:
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